Chronicle

No less than three of Gustav Eriksson Vasa's sons spent their lives embroiled in a bitter rivalry for the Swedish throne.

A year in the making, we are proud to share the reimagined Polmanarkivet with a new platform, memberships, a refreshed identity, and more. Dive in and read about all the new exciting features.

Contrary to his image as a steadfast captain, this chapter of Jöran Polman's story catches him red-handed in a drunken brawl.

Inside the Polmanarkivet Research System: How do you organise a history that spans more than 500 years, crosses multiple empires, and intersects with many disciplines? Here’s how we do it.

Jöran Polman served with diligence, and was one of twenty soldiers whose portrait adorns the walls of Skokloster Castle. Explore the story of his portrait and the intricate fashion details of the seventeenth century during Sweden's Great Power era.

Despite the consistent power struggles between the monarchy and nobility, Gustav Vasa rose to power from a nobleman to king of a liberated Sweden.

For over 50 years, this 17th-century portrait of the family patriarch has remained hidden — until now. Polmanarkivet unearthed this important artwork and invites you to explore its origins and the story of how it was rediscovered.

Discover the top digital tools to help clarify your thinking, speed up your research, streamline your note-taking, and organise your references. Plus, learn the best AI tips to bring your research to life.

Often referred to as the "first great ruling queen in European history," Margaret I beat the odds to ascend the throne of a uniting Scandinavia.

Peter [Cederström] had achieved all that he could in his home country when he decided to take his trade elsewhere. [...He] landed in Stavanger, a port city in the west of Norway, in 1828.

Explore the dramatic saga of Sweden, from the Viking Age and the rise of empires to bloody unions and cultural revolutions.

With his new book, Göran Mörner hopes that people will finally know what their Coat of Arms should look like. “I realized that there had been a great misconception of the objects and colors in some Coats of Arms. These letter patents hadn’t been shown to the public in 350 years.”